Editor

Milan or remote Full-time or freelance

Cut real work with Spirit, every day, and tell us where it gets in the way. You are the first user and the loudest one.

• Edit the pieces we produce - teasers, showcase films, client work - using the platform for all of it.
• Push the generation tools into the corners: what holds, what drifts, what is not worth the credits.
• Write down what you find, plainly, and see it change the product.
• Sit with studios during onboarding and show them how someone who knows the craft actually works in it.

You will be editing on a tool that is still being built, which means part of the week is friction you have to describe precisely instead of just working around. Precision about your own annoyance is a skill, and it is the one we need most.

Not a QA seat with a checklist. Not a role where you only test - you deliver real cuts on real deadlines.

• You have cut work that shipped, and you can talk about why a cut works.
• You are at home in Resolve or Premiere and unbothered by learning something new.
• You have opinions about AI-generated footage - for or against, as long as they come from having used it.